In combination with ad blockers, these can but a crimp in the bad guys activities. If they are going to do that, then there is little point in having an ad blocker.Īlso, should users go the extra step and control 3rd party site access, Request Policy (of old) and uMatrix. With all ad blockers there is an overhead, the user really has to be in control (time and hassle) of what is allowed and what should remain blocked and not just allow all. Well NoScript had previously shot itself in the foot, by adding a great number of sites to load scripts in their default allow list/s and this apparently was more revenue related than not an issue.Īt that point many dropped NoScript in favour of uBlock Origin. Is everybody blind to what is happening? (info credits go to security dot nl's Aha) The going gets narrow, Internet freedom and your last vestiges of privacy are at stake. This is one part of the story, the other is it conflicts with the demands of Big Silicon Valley Tech firms ad-launching circus and Deep State Surveillance, so root it out, block it, make it no longer available, much of that seen also in the Russian Federation now with encrypted chat-apps being officially blocked. Who looks under the *hood aka in the browser developer's console can see what (s)he/it blocks or not (but it only seems polonus and a few other's are capable of deciding what to block and what not).
We have the following dilemma: Blocking scripts creates disfunctionality, allowing (all) threats and risks.įor the non-tech-savvy the in between is no option. This means a victory for the general dumbed down click-sh**ple, facebook's Mr. This is where the crisis stems from NoScript has now being blacklisted and is being blocked as an extension, while it apparently breaks webpages (in the hands of the uninformed and non-tech-savvy). Thank you to Annabelle Balharry, Lindsay Cox, Aya Hatano and Tim Stone.Scripts can import all sort of functionality into a browser, but they are also easily abused by malcreants to inject all sorts of malcode into your browser. Victory Over the Moon is supported by the Australian Government through the Australia Council for the Arts, the Victorian Government through Creative Victoria, the Besen Family Foundation and Lucy Guerin Inc. AcknowledgementsĬo-commissioned by Next Wave and Chunky Move Please advise of access requirements upon booking. The session at 3pm on Saturday 30 July will have an Auslan interpreter (Nay King) for the minimal spoken elements, as well as in the foyer for 30 minutes prior to the performance and at the post-show Q&A. Access InformationĬhunky Move is fully wheelchair accessible, with a wheelchair accessible bathroom. Join the artists after the Saturday 30 July 3pm performance for a Q&A session. Set Construction: Nana Biluš Abaffy, Milo Love, Geoffrey Watson and Darcey Bella ArnoldĬostumes: Nana Biluš Abaffy and Geoffrey Watson Important Information Performance: Nana Biluš Abaffy, Milo Love and Geoffrey Watson “A vision from beyond chaos – Nana Biluš Abaffy stands out among peers for making movement-based pieces that draw chiefly from experimental theatre." The Age Creative Team Nana Biluš Abaffy, Milo Love and Geoffrey Watson have worked together across different projects for nearly 10 years including 2018 Keir Choreographic Award Finalist Post Reality Vision (**** The Age). She is interested in the pursuit of knowledge through embodiment and wants to know what her body is looking for. Nana Biluš Abaffy is an artist with a background in philosophy and a foreground in experimental performance and dance. In this new experimental choreographic work, co-commissioned by Next Wave and Chunky Move, Nana Biluš Abaffy and long-term collaborators Milo Love and Geoffrey Watson create a world of embodied imaginaries you are going to remember.īut whatever you do, don’t press the red button.
Three bodies anatomize the dreams and delusions that manifest out of necessity and move into focus, like a jackpot that decisively leaps out of a bank of thousands of other memories. Victory Over the Moon is a dance around the visions that arise in moments of crisis, when time seems to move differently – either speeding up or slowing down in unexpected ways.
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